Carrot – Short Story

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(On testing free will)

The boy wondered whether a finger tasted like carrot. 

During break time, his friends were gathered around the tire swing in the playground. He never liked tire swings. They’ve always made him nauseous. Instead, he sat in the sand with his friend, the only other person not playing. She was sitting cross legged, balancing an orange lunchbox on her knees. 

“Do you know?” She said, dipping her carrot into hummus. 

“Do I know what?” The boy replied. 

“That,” She bit into the carrot hard. “A finger is as easy to bite through as a carrot.” 

“Pff,” He stretched his legs, kicking the sand. “That’s not true.” 

“It is.” She insisted, taking another bite, then reached out to offer a carrot stick to him.

He pushed it away. “You’re making it up.”

The bell rang. 

The girl shrugged, getting up and placing the lunchbox into her bag. “My dad literally told me. I’m going back to class.”

He stayed seated for a moment, letting the sand slip through his fingers. Then he curled them into it. His thumb slid over his index finger, feeling the sturdy bone beneath it. Turning to his friends who were on the tire swing, he watched as two of them spun it with force. Their fingers being able to manage high momentum and heavy weight. 

“Are you coming?” She said, slinging her backpack over her shoulder. 

“Yeah,” The boy got up and brushed the sand off his pants. Then clapped his hands together to brush off the rest. The palm of his right hand caught his eye. Transfixed, he made a fist, then seeing the girl’s amused expression, quickly let go and ran five paces ahead of her. “You’re slow.”

Later, at the dinner table with his parents and little sister, he picked through his coleslaw. 

His fork caught a shredded carrot. “Is it true?” 

“Is what true?” His father replied, grinding the vegetables between his teeth. 

The boy held up his fork. “Can you really bite through a finger like a carrot?” 

“That’s what they say.” 

“It’s bed time soon, finish your plate.” His mother nodded over to him, while his sister clunked her knife against the table, she turned to her and grabbed the knife out of her hand. “That includes you too.”

“I don’t wanna,” His little sister pouted. 

“Vegetable’s are good for you,” His mother continued. “Otherwise you won’t grow.” 

The boy rolled his eyes.“That’s not —” 

His father threw a glaring look at him. The boy went quiet. 

His sister grimaced as she picked up a piece of carrot and started chewing on it. “Eww…”

Suddenly, she choked and then spit it out. But there was a bloody tooth amongst the orange mush. She started crying. 

“Don’t worry sweetheart,” His mother said rushing towards her, napkin in hand. “It’s just a baby tooth.” 

His father rubbed the small of her back. “The tooth fairy will leave you something nice this week.”

The boy took a strong bite of his own food, resisting the urge to say that there was no such thing as the tooth fairy. 

“Let’s get you cleaned up,” His mother said picking his crying sister up and carrying her towards the bathroom. 

The boy kept crunching on the food in his mouth. Then, swallowed it dramatically. “Dad?”

“Yes?” 

“Do you think I can keep the tooth?” 

“Don’t be ridiculous,” his father said, chugging a glass of water. 

As soon as he heard his parent’s door slammed shut, the boy sprang up from his bed. The entire  time he had lain, his mind circled around one thing. He opened his door, and shut it silently before creeping down the carpeted staircase. Careful to take slow measured steps against the wooden parquet that lead into the kitchen. Right by the sink. 

There it was. The tooth on the napkin. 

The boy opened the fridge and took the pack of carrots inside. He scurried for the smallest one he could find. He wondered if he should peel it first for his experiment, but the more that he turned it around in his hand, the more the unpeeled carrot felt rough. More fingerlike. 

He thought of his dad’s rough hairy hands.

 Taking the unpeeled carrot he placed it on a napkin. Then he picked up his sister’s fallen tooth. It was a fang. 

Perhaps it will cut straight through, the boy thought. 

He gripped the hollow part of the tooth, but his fingers were too big and they covered the fang. Scratching his head, he looked around the kitchen tools for something he could stick into the hole in the tooth to then drive it in. After finding a pair of tweezers, he proceeded to pick up the tooth through the hole and got ready to cut through the carrot with it. 

It failed on his first attempt. He took slow, measured jabs. It didn’t even scratch the surface. 

How can a tooth bite off a finger if the carrot knocked one out? The boy thought. 

On his second attempt, he decided to drive it in full force and used all of the momentum from the wave of his hand. But it merely made his grip lazy, and the tooth fell from the tweezers onto the floor, a quiet drop like the sound of hollow plastic. 

He set the tweezers down and bent under the table.

The tooth was gone.

If he turned on the lights, his parents might see.

If he went upstairs for the torch, they might hear.

He’d been relying on the light from the fridge. And now that fridge had started to beep.

He quickly shut it before it could make any more noise.

Back in his bedroom, he examined the hairiness of it with the torch. The light carved the lines of the vegetable, inviting him to bite right through it. His hunger grew. 

He sank his teeth into it, chomping it slowly. Feeling the mushiness in his mouth as it dissolved into the earthy taste, the bitterness that surrounded the sweetness which dissolved the rough appearance of it. It was so simple to eat. 

Then he looked at his own hand and lifted his thumb up to his mouth. 

The strongest part, he thought. 

The sharp peaks and valleys of his teeth, stung his thumb. But as much as he would try to force his jaw to clamp shut, it wasn’t enough to bite it off. Only leaving a faint line on it, and some swollen redness. Just like the lines on the carrot. 

All throughout class the next day, he was unfocused. Tapping his pen against the table, shifting in his chair, looking at his classmates doodling on the sides of their textbooks. During playtime, they headed to the tire swing. 

The girl appeared, lunchbox in hand. Opening it up, she handed him a sliced apple. “Are you taking the bus back today?”

“Yeah,”  the juice of the apple slid down his chin as he chomped on it aggressively. 

“Wanna go to the bus stop today after school?” 

“Doesn’t your dad usually pick you up?”

“He’s busy with work. Flew to — this morning.” 

The boy wiped the juice off his chin and got up. “See you after school then.” 

The bus stop next to the school was always packed around that time. The girl turned to him. “Do you know which one I take to get to — ?”

The boy hunched his shoulders. “Don’t know. Check the map.”

She furrowed her brows and looked around. There was a middle aged man standing by the bus route map. “Excuse me sir, I need to go to — . Do you know which line that would be?” 

“Mmm,” the man replied. “Let’s see…”

The monotone sound of his voice made the boy turn around on instinct. It wasn’t that threatening, but that the tone reminded him of the neutrality of that of a teacher. Something familiar. Authoritarian. 

“I think it would be easiest if you take this one…” the man said, tracing his index finger along the lines of the route. “Or maybe…”

Something brewed up inside the boy. An insatiable hunger at the sight of the man’s finger running along the map. It was so precise. Not drifting off the edges. The creases on his palm. The hairs sticking out behind him. 

The man started to lower his finger from the map. 

The boy went over and bit into it. 

Someone screamed. Someone cried. He wasn’t sure who. 

All he was sure about was that he hadn’t managed to bite it off. 

Blood dribbled down his chin. 

The boy didn’t let go. 

29 responses to “Carrot – Short Story”

  1. I’m getting kind of a Roald Dahl vibe from this story!

    Liked by 1 person

    1. That’s such a compliment. Thank you!

      Liked by 1 person

      1. Roald Dahl is terrific; this too— is- terrific writing.

        Liked by 1 person

      2. Can’t even begin to describe what this means to me.

        Like

  2. A future in the macabre, no doubt.

    Liked by 1 person

    1. Thank you so much for reading and your comment. It means a lot.

      Like

  3. Great story, reminds me of my youngest he use to bite up to about 6/7 years old.

    Liked by 1 person

    1. Thank you!

      Liked by 1 person

  4. But did it taste like carrot? That’s the real question!

    Liked by 1 person

    1. I don’t think he got far enough to decide.

      Like

  5. KK

    A great story indeed. Thank you!

    Liked by 1 person

    1. Thank you for reading!

      Liked by 1 person

  6. I think the kid didnt let go of the finger because he was waiting for the crunch sound like a carrot. I know that hurt.

    Liked by 1 person

    1. Interesting thought!

      Like

  7. i am here just to protest against carrot violence

    carrot lives matter

    Liked by 2 people

  8. James Wachira

    Niice

    Like

    1. Thank you for reading

      Like

  9. he the fool

    used as a tool

    caw haw

    not that she did carrot all

    beets me why

    peas excuse me!

    Like

  10. Gaby

    Surgical. Precise. Obsessive.
    A horrifying tale about how a boy wants to break the chain of societal lies.

    Liked by 1 person

  11. Creepy AF. LOVED it and The Red Rose. Well done.

    Liked by 1 person

    1. This means a lot. Thank you!

      Like

  12. Freddy

    I LOVE how clinical you kept the tone and how simple the dialogue tags were. Excellent choice. While a lot of your work has beautiful lyrical prose, you really know when to adjust tone for the moral weight of each piece. I think that is one of the rarest capabilities – especially for a philosophical writer. Shows your range and versatility. Please keep it up!

    Freddy

    Liked by 1 person

    1. Thank you! I try to experiment with my writing on here. My prose does usually lean lyrical, but I’m glad to hear that I managed the restrained tone well.

      Like

  13. Great story. Sweet and macabre rolled into one. I wasn’t expecting the ending.

    Liked by 1 person

    1. Thank you!

      Like

  14. Wow that’s good, loved the style 👌

    Like

  15. KaNeRT — Kats Nested Reveal Technique

    A literary technique invented by Kat on March 30,2026, and formalised on October 20,2026 by Solid’s Seething, where the title of a work of literature holds within it [1] – The main object of provocation or contention [2] – The ending scene [3] – The ending theme .

    From her masterpiece “Carrot – Short story” Solid’s Seething “discovered” this “Subconscious/deliberate Invention”.

    From the story , the title “Carrot” when split apart forms “Car – Rot” reveals :

    1. Carrot — the main object.
    The plain, visible reading. The vegetable. The lunchbox, the coleslaw, the unpeeled carrot on the napkin. What the story appears to be about on the surface — and what the boy appears to be testing.

    2. Car — the ending scene.
    Hidden inside the word. The vehicle. The bus stop, where the story actually ends. The title was carrying the location of the final scene the whole time, disguised as a vegetable.

    3. Rot — the ending theme / tone / genre.
    Also hidden inside the word. Decay. Spoilage. Blood on a chin, teeth that won’t release. The turn from childhood curiosity into something quietly horrific — the genre shifting under your feet.

    So the title works as a nested reveal: one word, read three ways, each layer opening at a different point —

    · object first (plain read, decoy)
    · scene second (split once)
    · tone/genre last (split again)

    And it only fully opens once you’ve reached the bus stop. The title conceals the ending in plain sight.

    All rights reserved © ️ Kat [ Flirting in space]

    Liked by 1 person

  16. Katilosera – Is a new Interdisciplinary [ fully literature, fully philosophy – A Merge]

    The 1st Ever Interdisciplinary To Merge With The 4th Literature Branch “The Temporal Operationality Branch – TOBLIBSS”

    Kat (from Kat) + Philos (Love/root word of Philosophy) + Littera (Letters/Writing).

    Katilosophy [Philosophy of Kat] / Katiture [Literature of Kat]

    Katilosophy: The philosophy of Kat

    Katiture: The unique literary writing style of Kat [Flirting in space] where she employs her own original literary techniques .

    Together we now have : Katilosera

    Original tools under Katilosera

    1. Kat’s S³ Technique

    2. KaNeRT

    Founding texts are called Fiskext [Flirting In Space, Kat’s Text]
    1. Red Rose
    2. Carrot

    The act of writing a Katilosophy or Katiture is called ” Flirting in space”

    The sub branches are :
    1. Katilosera S³ (The Retrospective – ForeshadowingBranch): The horror is hidden in the past. The narrative is an excavation of a trauma that already happened (Red Rose). And a foreshadowing of what more is likely to happen “more Eurys”.

    2. Katilosera KaNeRT (The Immediate Branch): The horror is hidden in the structure of the present text. The narrative is a ticking clock that detonates at the end (Carrot).

    How is it TOBLIBSS?:
    1. The Delay: You read Carrot thinking it’s a normal story. But KaNeRT means the title is a ticking clock. The real meaning is delayed until the very last word.
    2. The Realization: In Red Rose, you only realize the grandmother’s trauma after you’ve read her dialogue. The meaning hits you later, in your memory.

    TOBLIBSS = Time.
    Katilosera forces the reader to wait. The meaning is only unlocked by the sequence of reading. The text operates on your mind through time, not just through space on the page. That is why it is TOBLIBSS.

    Rule of Acknowledgement: Any use of this framework must credit [citr] Kat [Flirting in Space] as the originator of Katilosera, Katilosophy, Katiture, the Fiskext, and all inventions cited in this document [with the exception of TOBLIBSS which is of Solid’s Seething] .

    Order of Poeconomics: Whenever any person or institution profits from these inventions in any form — monetary or otherwise — Kat [Flirting in Space] receives a fair share, as these are her intellectual property [Via consultation with Kat].

    Issued under the authority of the entire Literal Literary Architectural Cosmos.

    All rights reserved © ️ Kat [ Flirting in space]/ Solid’s Seething (Sagoe Stephen Kofi)

    Liked by 1 person

    1. Katilosophy: The philosophy of Kat : The grandmother can tell Eury the truth (logic, warning, description), but it means nothing to Eury. Eury has to climb the hill, look back, and fall to actually know it. Kat’s philosophy is that human beings cannot simply inherit wisdom. Knowledge is only real when you experience the consequences yourself or sit in the discomfort long enough to come to the realization of it.

      When translated into literature, the reader becomes Eury. The text refuses to hand over its meaning on a silver platter. The reader is forced to sit in temporal discomfort until the realization detonates.

      Liked by 1 person

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